La Revue, Joan Miró, 2018
Christian Zervos, founder of Cahiers d’Art, consistently supported the exceptional artist Joan Miró, referring to him as “the most lyrical painter of his time” and “the most important post-cubist artist.” Miró featured in Cahiers d’Art from its inception in 1926 until 1960, designing numerous covers, including the stencil “Help Spain!” published in the 1937 issue.
Edited by Rémi Labrusse, this issue examines Miró’s connection to Cahiers d’Art through notable texts, explores his unique primitivism, and showcases his studio objects and unpublished paintings. Élisa Sclaunick discusses Miró’s correspondence with Jacques Dupin, while Jean-Louis Cohen honors architect José-Luis Sert, and Rosa Maria Mallet details the Miró Foundation's history. Additionally, contemporary artists Miquel Barceló, Helen Marten, Koo Jong A, and Karel Malich contribute to the Revue.
This issue is sold out in English
Christian Zervos, founder of Cahiers d’Art, consistently supported the exceptional artist Joan Miró, referring to him as “the most lyrical painter of his time” and “the most important post-cubist artist.” Miró featured in Cahiers d’Art from its inception in 1926 until 1960, designing numerous covers, including the stencil “Help Spain!” published in the 1937 issue.
Edited by Rémi Labrusse, this issue examines Miró’s connection to Cahiers d’Art through notable texts, explores his unique primitivism, and showcases his studio objects and unpublished paintings. Élisa Sclaunick discusses Miró’s correspondence with Jacques Dupin, while Jean-Louis Cohen honors architect José-Luis Sert, and Rosa Maria Mallet details the Miró Foundation's history. Additionally, contemporary artists Miquel Barceló, Helen Marten, Koo Jong A, and Karel Malich contribute to the Revue.
This issue is sold out in English
Christian Zervos, founder of Cahiers d’Art, consistently supported the exceptional artist Joan Miró, referring to him as “the most lyrical painter of his time” and “the most important post-cubist artist.” Miró featured in Cahiers d’Art from its inception in 1926 until 1960, designing numerous covers, including the stencil “Help Spain!” published in the 1937 issue.
Edited by Rémi Labrusse, this issue examines Miró’s connection to Cahiers d’Art through notable texts, explores his unique primitivism, and showcases his studio objects and unpublished paintings. Élisa Sclaunick discusses Miró’s correspondence with Jacques Dupin, while Jean-Louis Cohen honors architect José-Luis Sert, and Rosa Maria Mallet details the Miró Foundation's history. Additionally, contemporary artists Miquel Barceló, Helen Marten, Koo Jong A, and Karel Malich contribute to the Revue.
This issue is sold out in English
Edited by: Staffan Ahrenberg, Sam Keller, Hans Ulrich Obrist
with: Rémi Labrusse
248 Pages
162 Illustrations
24.5 cm × 31.5 cm
Softcover, wrapped in Glassine Paper, Presentation Box
English version Sold Out
Available in French
ISBN FR: 978-2-85117-300-3
ISBN EN: 978-2-85117-301-0
